Mike Elizalde, whose credits include “X-Men: The Last Stand”, both of the “Fantastic Four” films, both of the “Hellboy” films and most recently “The Land of the Lost” film, has been in the special effects business for over 20 years. Mr. Elizalde was nominated for a “Best Makeup” Oscar for his work on Hellboy II (2008). He is the owner of Spectral Motion an all purpose special effects shop offering Creatures, Props, Special Makeup Effects. His shop specializes in the design and creation of astonishing cinematic creature effects, special makeup effects, animatronics and action props. Mr. Elizalde shares his journey into the world of filmmaking and special effects with GoreMaster.
Posts Tagged ‘Spectral Motion’
Exclusive Interview with Mike Elizalde: Amazing Special Effects Artist
Posted by GoreMaster Special Effects on October 17, 2009
Posted in GoreMaster people, Special Effects | Tagged: "Fantastic Four" films, action props, Amazing Special Effects Artist, An American Werewolf in London, An American Werewolf in London special effects, animatronics, artist Rick Baker, “Best Makeup” Oscar, “Hellboy” films, “The Land of the Lost” film, Bernie Wrightson, book by Lee Baygan, CG, CGI, Chavant clay, chilly digital landscape, cinematic creature effects, classic Universal monsters, conceptual art, Coppola’s Bram Stoker’s Dracula, costume elements, countless fiberglass parts, creature creation, creature effects, creatures, Danny McBride)., Dick Smith, digital effects, director David Gordon Green, Doug Jones, Exclusive Interview with Mike Elizalde, Favorite special effects memory, favorite special effects person, Filmmakers, filmmaking, Frankenstein, Frankenstein’s monster, future of film, future of makeup special effects, goremaster special effects artist, Guillermo del Toro, Hellboy II, Hellboy II (2008), Hellboy II: The Golden Army, James Franco, John Carpenter’s The Thing, Kazuhiro Tsuji, make-up effects, makeup artist Dick Smith, makeup artist Mike Elizalde, makeup special effects scene, Mary Shelley’s Frankenstein, Mike Elizalde and Dick Smith, Mike Elizalde makeup, Mike Elizalde movies, Mike Elizalde sculpting Doug Jones Vampire, Monsters, monsters and makeup effects, Mr. Elizalde, Mr. Wink from Hellboy, Natalie Portman, owner of Spectral Motion, Pineapple Express, portfolio of makeup effects, practical effects, props, Ron Perlman, sculpture, special effects business, special effects GoreMaster, special effects in film, special effects industry, special effects movie, special effects training, special makeup effects, Spectral Motion, Stargate, Techniques of Three Dimensional Make-up: A Step-By-Step Guide, The Bride of Frankenstein, The Exorcist, The Exorcist special effects, the great Dick Smith, The Hunger, Toby Jones, torment and pathos of the creature, transformation scene, Without risk there is no reward, X-Men: The Last Stand, Your Highness | Leave a Comment »
A Vampire that hunts Demons in Blood: the Last Vampire
Posted by GoreMaster Special Effects on August 2, 2009
Taglines
Where evil grows she preys
Now that She’s Here, There Will Be Blood…
A vampire named Saya, who is part of covert government agency that hunts and destroys demons in a post-WWII Japan, is inserted in a military school to discover which one of her classmates is a demon is disguise.
Director Chris Nahon fulfills the titular promise almost immediately, treating audiences to a dude getting cut in half lengthwise with a samurai sword and stuffed in the back of a subway car all before the opening credits.
Blood: The Last Vampire is a remake of an animated 2000 movie by the same name. They both feature a young-looking vampire named Saya (Gianna Jun), who hunts demons at an Air Force Base in Tokyo during the Vietnam War, getting sent undercover at a local high school. Violence breaks out, and Saya must protect Allison, a general’s daughter.
The film involves some maneuvering by the CIA, which must clean Saya’s messes while keeping the military out of the way.
Filming locations spanned the globe from China to Argentina
Make Up Department
Mike Elizalde … creature & makeup effects
David Beneke … dental prosthetics
Michael Davis … key hair stylist
Fernando Favila… production supervisor: Spectral Motion Inc.
Steve Koch … prosthetic designer and sculptor: Spectral Motion Inc.
Clayton Martinez… special makeup effects artist
James Ojala … special makeup effects crew: Spectral Motion
Suzanne Rodier … makeup department head
Special Effects Department
Suma Abuzaineh … seaming and patching department: Spectral Motion, Inc.
Roland Blancaflor … prosthetic department supervisor
Kevin Carter … special effects contact lenses
Mary Elizalde … CFO: Spectral Motion Inc.
Eric Hayden … creature director
Bob Mano … mechanical designer: Spectral Motion Inc.
Brian Walsh … pre-build coordinator: Spectral Motion Inc
Jill Warner … production assistant: Spectral Motion
Diana Yun Soo Yoo … hair department supervisor: Spectral Motion
Posted in Monsters, New Releases, Special Effects | Tagged: A Vampire that hunts Demons in Blood: the Last Vampire, Blood: The Last Vampire, Bob Mano, Brian Walsh, Clayton Martinez, creature & makeup effects, creature director, David Beneke, demon is disguise, dental prosthetics, Diana Yun Soo Yoo, Director Chris Nahon, Eric Hayden, Fernando Favila, Gianna Jun, goremaster, hunts and destroys demons, hunts demons, James Ojala, Jill Warner, Kevin Carter, learn special effects, makeup department head, Mary Elizalde, mechanical designer, Michael Davis, Mike Elizalde, Now that She's Here There Will Be Blood, prosthetic department supervisor, prosthetic designer and sculptor, Roland Blancaflor, samurai sword, special effects department, Spectral Motion, Steve Koch, Suma Abuzaineh, Suzanne Rodier, vampire, vampire named Saya, Where evil grows she preys | Leave a Comment »






