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Christopher Lee: Horror films today are ‘obscene’

Posted by GoreMaster Special Effects on October 28, 2009

Vampire Christopher Lee

Christopher Lee

By Grace Wong for CNN

London, England (CNN) — Although his name is synonymous with horror, Christopher Lee says he doesn’t have much desire to see pictures that fall under that genre these days.

The 87-year-old, who helped Britain’s legendary Hammer studios breathe new life into the horror genre in the 1950s, says he rarely watches horror films.

“I find it quite nauseating what they do,” Lee told CNN. “The blood is all over the screen like an avalanche — the mutilation — dreadful things, and I just don’t enjoy that.”

The veteran actor, who played Count Dracula and Frankenstein in a series of Hammer movies from the 1950s until the 1970s, says it’s “obscene” how much is displayed in horror films today.

“What you don’t see is far more frightening than what you do see,” said Lee, who considers Roman Polanski’s 1968 supernatural thriller “Rosemary’s Baby” the scariest film he’s ever seen.

That may explain his attraction to upcoming psychological chiller “The Resident,” his first Hammer film in more than 30 years.

Starring Hilary Swank and Jeffrey Dean Morgan, the movie is about a young doctor whose landlord develops a creepy obsession with her.

Lee was a perfect fit for the film, which takes on a nightmarish quality in a nod to the noir style of Alfred Hitchcock, director Antti Jokinen says.

“He has that presence that a movie like this needs because a single look can be the scary atmosphere that you need,” Jokinen told CNN.

“The Resident,” due out in the spring, is the first theatrical feature under the banner of the re-launched Hammer Films. It is being revived by new investors who bought the company two years ago.

Lee says his reunion with Hammer is ironic in a way. He didn’t leave the studio on the best of terms — “I’m not going to go into it, but take it from me, they ruined it,” he says of his last Hammer film, bizarre 1976 cult classic “To the Devil a Daughter.”

Christopher LeeSome remarkable films did come out of that era: He describes black-and-white “Scream of Fear” (1961) as “brilliant,” and fondly recalls working with the close-knit Hammer team, which was like a family.

“Occasionally they’d change the cameraman or something but otherwise the whole crew was the same all the time, and I knew all of them extremely well,” he said.

But the white-haired actor doesn’t wax nostalgic. “Not every Hammer film was perfect,” he said.

In 1966′s “Prince of Darkness,” he ended up playing the character of Dracula silent because the lines “were not good and I couldn’t do anything with them.”

Lee played a central role in the rise of Hammer, starring in 1958′s “Dracula,” which helped both him and the studio gain international recognition.

The film was instrumental in launching a golden era for the production house, whose films, with their gothic qualities and use of vibrant colors, helped reinvigorate the horror genre.

But the movies began to seem outdated as movies like “The Exorcist” and “The Omen” came on the scene, and Hammer produced its last film in 1976.

Lee — or to be precise, Sir Christopher Lee, after Queen Elizabeth II knighted him in June — has come a long way since his first Dracula film, a six-week job that he says paid £750.

Although he’s often associated with Hammer films, Lee is quick to point out that he hasn’t really taken many horror roles.

Aside from the Dracula movies, “The Curse of Frankenstein” (1957) and “The Mummy” (1959), “I haven’t done lots of horror,” the prolific actor told CNN.

Of course, that hasn’t kept him from achieving cult status among horror fans.

Included in his legion of fans is “The Resident” co-star Morgan, who says he “hit the ceiling with excitement” when he found out Lee was joining the cast.

Morgan told CNN: “He’s got this kind of dignity to him that’s just great.

“I work with so many actors that don’t have respect for what we do, or respect for the history of what we do and not only does he respect it, but he is a part of the history of this craft.”

Over the decades Lee has starred in hundreds of movies. He has a predilection for playing baddies, including Bond villain Scaramanga in “The Man with the Golden Gun” (1974).Count_Dracula_Christopher_Lee

“I haven’t spent my entire career playing the guy in the bad hat, although I have to say that the bad guy is frequently much more interesting than the good guy,” Lee said.

His more recent film credits include the menacing Saruman in the “Lord of the Rings” trilogy and fallen Jedi knight Count Dooku in the Star Wars prequels.

But he considers 1973′s “The Wicker Man” “the best picture I’ve ever done.” The role was written for him and remains his favorite.

“They didn’t have to look for me to play the part; they wrote the part for me,” which doesn’t happen very often, he said.

Lee has kept a busy work schedule. In addition to “The Resident,” he stars alongside Colin Farrell in the soon-to-be-released “Triage,” is involved in a film from the director of “The Wicker Man” and lends his voice to animated film “Monstermania!”

Lee, who doesn’t show any signs of slowing down, despite approaching the age of 90, is pragmatic about his extraordinary career.

“Well,” he said. “What else would I do?”

Read MORE about Christopher Lee HERE

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Thomas Jane Channels Pulp Horror For Directorial Debut ‘Dark Country’

Posted by GoreMaster Special Effects on October 7, 2009

Thomas Jane

Thomas Jane

by Rick Marshall – MTV.com

‘Tis the season for scary movies, so it’s fitting that Thomas Jane’s stylish, noir-fueled horror film “Dark Country” arrives on shelves this week. In his directorial debut, the “Punisher” actor not only makes his first bow behind the camera, but he also stars alongside Lauren German (“Hostel: Part II”) and Ron Perlman (“Hellboy”)—two actors not entirely unfamiliar with fright-friendly cinema.dark country

Combining surreal, David Lynch-style visuals with a pulpy horror tale that would seem at home in old issues of “Tales From The Crypt” or “Creepy,” Jane says comic books weren’t far from his mind when he stepped behind the camera.

“I’ve been reading comic books since I was eight years old, and in comics, anything’s possible,” Jane told MTV News. “They come up with angles that you could never shoot in life, and they really have to work hard to make that two-dimensional space feel three-dimensional, so it’s a fantastic resource for coming up with ideas for shots.”

“I wanted to do something that was unique, and yet also paid homage to filmmakers who had a big impression on me,” said Jane, “like David Lynch, the Coen brothers, Alfred Hitchcock, Stanley Kubrick, but also John Alton, who is a great cinematographer who worked with Anthony Mann on films like ‘Raw Deal’ and ‘He Walked By Night.’”

According to Jane, when it came time to pull double duty on the film, he sought advice from one of the more prominent actor/directors in recent years—and discovered that he was just the latest in a long line of people to receive the same words of wisdom.

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“I called Mel Gibson and he talked to me on the phone for an hour, and said that when he was getting ready to direct and star in his first film, he was nervous and he called Clint Eastwood,” said Jane. “Clint Eastwood talked to Mel for a long time and told Mel that he was really nervous and he called Don Siegel, who had directed Clint in a bunch of movies, and Don told Clint, ‘Don’t sell yourself short. Spend as much time on yourself—your own shots—as you do on every other actor, on every other aspect of production. Be careful, because you’re in the movie you have permission to just do one or two takes on yourself and quickly move on—but you need to spend as much time on yourself for your film to work.’”

“That’s what I took away from my conversation with Mel and I hung up the phone feeling much more confident in my ability to pull this thing off than I did before I’d gotten on the phone,” he explained.

Originally intended as a 3-D theater release, Jane said the film was shot in 3-D but plans were ratcheted back due to the lack of home theater equipment able to present the film in all its multidimensional glory.

“But that equipment is coming, and when it does I certainly hope that we give ‘Dark Country’ a home theatrical 3-D release,” he added.

Lauren German

Lauren German

While it could be a while until the film gets a 3-D premiere in homes, it did receive a screening in line with Jane’s plans this past weekend at Long Beach Comic Con, where “Dark Country” debuted in full 3-D glory in front of a packed house of nearly 400 fans. Jane and comic book artist Tim Bradstreet hosted the screening along with 3-D developer Ray 3D Zone.

And though his 3-D plans for the film involved looking ahead to the future of the medium, Jane said his inspiration for the tone of the film involved more of a rearview-mirror take on filmmaking—especially when it comes to horror movies.

“I wanted to make a movie that was for people who enjoy movies that are off the beaten track, you know?” said Jane. “I wanted to make a movie for fans of cult films, for fans of ‘The Twilight Zone,’ for guys who stayed up late to watch ‘The Outer Limits’ when they were probably too young to do that.”

“It seems like more and more now, people are really losing sight of some of the great, old drive-in films,” he continued. “Quentin Tarantino tried to bring some of that flavor to the ‘Grind House’ stuff and I think that this film very much embodies that spirit—but instead of trying purposely to scratch up the movie and print frames out of it and yellow the film, let’s make this movie as if it’s really exists. And I feel like the feedback’s been really, really rewarding.”

“Dark Country”  stars Thomas Jane, Lauren German and Ron Perlman. The film was directed by Jane, with a script by Tab Murphy.

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